What Price Freedom?

School of Athens

School of Athens, by Raphael. 1510

Have been away, in limbo, on leave, out of sight and out of mind, for ages now. As you can see, the gears of Spin­oz­ablue have ground to a halt, and whis­pers fill the cor­ri­dors. There may still be time for a renais­sance of sorts, but it’s look­ing more unlikely by the hour. Though we will make that attempt and give it the old col­lege try tonight and per­haps again very soon.

The rea­son for the paint­ing is sim­ple. It’s sim­i­lar to the rea­son for my absence here. It reminds me of the dis­con­nect between what we see and what remains hid­den. Greeks have a beau­ti­ful word for truth, “aletheia,” which can be lit­er­ally trans­lated as the state of not being hid­den. What is no longer hid­den is the truth.…

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The Head­less Woman

The Headless Woman

The Head­less Woman, 2008. Directed by Lucre­tia Martel.

“La Mujer Sin Cabeza” is a bril­liant film, with sub­tle social com­men­tary that never hits one over the head. Like the mys­tery in the film itself, it’s some­thing the audi­ence must pieces together. The direc­tor, Lucre­tia Mar­tel, presents the evi­dence, but no edi­to­ri­als. Class and race are para­mount, but they remain as unspo­ken, per­haps even ghostly com­po­nents of the film. Amne­sia, real and feigned, are a part of the mix as well.

Maria Onetto plays Verónica, a bour­geoisie den­tist, liv­ing in com­fort in North­west­ern Argentina. Sur­rounded by a close-​​​​knit extended fam­ily, in a house where many Indi­genista ser­vants appear and dis­ap­pear, her life takes a sud­den turn when she runs over some­thing on the high­way. She hits her head and becomes dis­ori­ented, but goes on, not look­ing back…

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Long Day’s Jour­ney Into White

Monastery

Monastery burial-​​​​ground under snow, by Casper David Friedrich. 1818.

(Destroyed WWII)

Mil­lions of peo­ple drive dur­ing the hol­i­days. To and from. Rarely just to. I drove through ice and tor­rents of rain south, then through a cloudy day north and into white mist and fog. The drive, some­thing about the drive, and the time, and the strange­ness of end­lessly mov­ing for­ward in rel­a­tive terms, led to the poem below, and a work in progress:

 

The Trip


The van­ish­ing point teases us
Tempts us with the power
Of horizons

So I tried
I really tried to outrun it

What exists beyond the V?
What exists?

How does it stay just beyond our reach
As we hur­tle for­ward like a car?

Can we go beyond the center…

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Two Poems by Robert Mueller

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Com­mu­nity Still



What can the Lords of Every­thing
about dull eccen­tric­ity com­plain?
A fine shill, which is to see kir­tle
cock-​​​​eyed and expect its round­ing up,
would cheer, would meet the sun.
And then at sacred hoops the ban­ners
stream, and yet no his­to­rian
writes with fin­ish the bro­ken
hori­zon, and these Prodi­gals replay
their Her­culean task unno­ticed,
while grownups pass and jog­gle,
sniff and blow and jo, and shuf­fle, prat­tling feet.
Wit­ness, at cost, the skip­ping girl:
She finds in a book hon­ors
of wet cheeks and high ploys to relief
in bounc­ing from flue to prat­fall; sil­vers
school­days yet in stern lessons, poly­math craze.
Or coal-​​​​boy, rougher than the dirty feath­ers
of his tem­per­a­tures, dreams a leaf

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Unti­tled

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No Title


You can’t say it that way any more. /​​ Both­ered about beauty you have to/​​Come out into the open, into the clearing,/ And rest.  Cer­tainly what­ever funny hap­pens to you/​​ Is OK

And Ut Pic­tura Poe­sis Is Her Name,  John Ashbery


The great­est prob­lem in the arts today is the title; this tag that tells us what some­thing is about: Bat­tle of…,  Por­trait of….,  Bowl of… Of course this gives even the most hum­ble sub­ject a coat of arms, presto a seignio­r­ial dwelling, white picket fence and gar­den, all the dig­nity it deserves and Sun­day painters so admire. But is this good? This, I would argue, has infected poet­ics, this about­ness, this super­nat­ural force like it can’t be escaped. It’s the tongue lolling like a lazy sun­flower tro­pis­tic by default.  But now I’m bored with this riff and…

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Star Dust

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THE GIFT


My Lord, what a morn­ing,
My Lord, what a morn­ing,
O my Lord, what a morn­ing
When the stars begin to fall.

–Entrance hymn,
(Cathe­dral Church of St. John the Divine,
Sec­ond Sun­day after Epiphany,
Jan­u­ary 15, 2006)



After seven years of inter–
stel­lar wan­der­ings, the space­craft
that jour­neyed halfway to Jupiter,
beyond the Earth-​​​​Moon Orbit,
came back today.
It bears pre­cious freight—
age­less dust motes, the most
prim­i­tive par­ti­cles in the uni­verse,
gath­ered from the outer lim­its—
from the time when there was no time,
when there was uni­verse inchoate—
undif­fer­en­ti­ated mat­ter—the becom­ing thing
that was always there.

It brings name­less par­ti­cles that existed
eons before our solar sys­tem was formed,
before there was water,
before there was…

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Mod­ern Moments

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mod­ern moments (main-​​​​à-​​​​dieu, nova scotia)

 

sun & cloud (reproduction)

 

bright

band, slow mov–

ing, copy–

ing

the

 

sea

 

nest (goodyear)

 

rock–

weed, dulse &

sor­rel, moss a–

round the

 

tire

 

night jour­ney (disconnect)

 

shoot–

ing star,

far

cry, jet st–

reams in

the

 

bay

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