(For Barbara Guest) Poetry as fun because the poet laughs And lives and breathes The fibers of mag­ni­fi­cat sur­round­ing her sur­round­ing him Until dawn and then again when they see
The blue lap­ping vio­lins on the tur­bid water
There is a fair real­ism in the sense that the poem Can meet and exceed the imag­i­na­tion of the vio­lins As if the vio­lins are imag­in­ing the poet watch­ing Them Watching the blue lap­ping notes Prior to but not really before the crescendo It was not just for that that Barbara fin­ished her poems She fin­ished them know­ing that they extended Off the page and went out to sea Went out to work with the notes and the vio­lins Again and again In some merger of art and life and col­lab­o­ra­tion As if remem­ber­ing those days in New York When the boys gath­ered round and wore Their visu­als on their sleeves Like late-​​night Jazz musi­cians Who can’t stop the beam­ing improv And Throw cau­tion all cau­tion To the guardians of new avants She taught me to lis­ten and watch And feel every­thing and col­lect it And store it in my suit­case eyes know­ing I could and would retrieve my past my Present nearby some future off-​​site If I owned my own museum If I owned that tun­nel that clear vision Through the trance of mem­ory and And furtive antic­i­pa­tion And it wasn’t just advice She lived her words and her sto­ries And sang the role of ambas­sador For the fun of it For poetry’s sake For HD’s sake Like a happy prophet announc­ing A lyri­cal apoc­a­lypse A shin­ing deliv­er­ance in words Meter And song By Douglas Pinson _​_​_​_​_​_​_​_​_​_​_​_​_​_​_​_​_​_​_​_​_​_​_​ Copyright 2008 Spinozoblue and Douglas Pinson. All rights reserved. The mate­r­ial on this site may not be repro­duced, dis­trib­uted, trans­mit­ted, cached, or oth­er­wise used, except with the prior writ­ten per­mis­sion of Spinozablue, Inc.

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