Watched the DVD last night. Very strong film, with a few flaws here and there. Ben Affleck does a nice job of direct­ing his brother, keep­ing the film gritty and real­is­tic and tied to Boston – to the peo­ple, cul­ture and tough­ness of Dorchester specifically.

 

Gone Baby Gone Poster

 

It’s a mystery/​crime story about a kid­nap­ping. A four-​​year-​​old girl is abducted and we quickly find out by whom. Or so we think. Casey Affleck plays a pri­vate detec­tive, Patrick Kenzie, who is brought into the case with his girl­friend, Angie Gennaro, played by Michelle Monaghan. They try to assist the police, uti­liz­ing their first hand knowl­edge of the area and its res­i­dents, but this is not the sort of case they’re used to. Things quickly spi­ral out of con­trol, and the lit­tle girl is given up for dead. But that’s not the end of the story or the search. It’s also the begin­ning of the real moral, eth­i­cal and philo­soph­i­cal heart of the film.

DVDs can add greatly to our sense of a movie. In this case, some of the deleted scenes give us impor­tant infor­ma­tion regard­ing Angie’s moti­va­tions and why she chooses the side she chooses. We learn a bit about her mother, her upbring­ing, and things become clearer as a result. I think it was a mis­take to leave that infor­ma­tion out, as the movie shown in the the­ater makes it harder to under­stand why she and Patrick are at odds when it comes to the key eth­i­cal dilemma of the film.

It is still pow­er­ful, with or with­out the deleted scenes, and I’m still not sure exactly how Casey Affleck pulled off his key role. There are scenes in which you just can’t imag­ine an actor like him cre­at­ing the drama he cre­ates. Until you watch it, that is.

Amy Ryan was nom­i­nated for an Oscar for her role as Helene McCready, the mother of the abducted girl. She’s tremen­dously effec­tive at get­ting us to ques­tion the end result. An obvi­ous key to the suc­cess of it all. Just enough bad and good to make the viewer ambiva­lent, angry, sym­pa­thetic and out­raged all at once. Just enough com­plex­ity of char­ac­ter to make it real.

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