The Puzzling Constellation


The Plow.

Seal of cru­eler times,
why do you still turn up
in your per­fect, sharp simplicity?

Distant years.

Of won­der, of desire,
of expec­ta­tion, of dis­il­lu­sion,
of slow-​​fading, never-​​forgotten sorrow.

Long-​​gone scrutinies.

Will you now be the omen of poorer emo­tions,
of weaker pas­sions, of more diluted pain,
of an unin­spired, incon­sis­tent age?

The warn­ing septet.

Never were any set­ting blacker, any stars neater,
any sign in the night sky more admon­ish­ing
than last night. What a call­ing night!

I wait in amaze­ment as always.


*First pub­lished in Italian Americana (RI, USA)


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On Listening To A Piece By Bach


The Triple Concerto does not lie.
Beauty is truth.
Flute, vio­lin, harp­si­chord, strings
and con­tinuo I had heard before,
but genius was not there—
truth and lie I could not tell apart.
His was the fault­less time–
Bach’s, not mine.
I now com­pre­hend,
I now dis­cern when the music is a liar.
Adagio ma non tanto e dolce.
And sweet is to sud­denly real­ize
what­ever truth at it,
to know my own mind for good.
The Triple Concerto does not lie.
Nor ever did Bach,
nor did Hofstadter
by his Gödel, Escher, Bach:
an Eternal Golden Braid.
Beauty is truth.
There is no other key.


–Alessio Zanelli


Alessio Zanelli is an Italian poet who has long adopted English as his writ­ing lan­guage and his work has appeared in over 100 lit­er­ary mag­a­zines from 12 coun­tries, includ­ing Aesthetica, Arabesques, California Quarterly, Chiron Review, Dream Catcher, Existere, Flaming Arrows, Italian Americana, Orbis, Other Poetry, Poesia, Potomac Review, Poetry Nottingham and Poetry Salzburg Review. He is the author of three col­lec­tions, most recently Straight Astray, and a fea­tured author in the 2006 edi­tion of Poet’s Market.

Alessio’s Website

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