Edgar Allen Poe

Edgar Allen Poe. 1848

Watched Rio Bravo the other night. You remem­ber. The story that just wouldn’t die for Howard Hawks. Good film, made three times. Rio Bravo; El Dorado; and Rio Lobo. Added back story each time. Complications. As John Wayne aged, the younger char­ac­ters gained more impor­tance. From Ricky Nelson, to James Caan, to Christopher Mitchum, son of Robert, who starred in the sec­ond film. The cast grew over time, and the core story of The Exchange was embell­ished, nearly hidden.

Why bring Poe into all of this? Well, because James Caan’s char­ac­ter recites part of Poe’s poem. Possibly because he thinks of Wayne’s char­ac­ter as the per­son in the poem:

Gaily bedight,
A gal­lant knight,
In sun­shine and in shadow,
Had jour­neyed long,
Singing a song,
In search of Eldorado.

But he grew old,
This knight so bold,
And o’er his heart a shadow,
Fell as he found,
No spot of ground,
That looked like Eldorado.

And, as his strength,
Failed him at length,
He met a pil­grim shadow;
“Shadow,” said he,
“Where can it be,
This land of Eldorado?”

“Over the moun­tains
Of the moon,
Down the Valley of the Shadow,
Ride, boldly ride,”
The shade replied,
“If you seek for Eldorado!”

Charles Baudelaire. 1863

Charles Baudelaire. 1863

Of course, Baudelaire comes into all of this because he trans­lated Poe – not sure about Eldorado in par­tic­u­lar. He trans­lated Poe and gave birth to the Symbolist Movement, which begets Arthur Symons, Yeats, Pound and Eliot. And they beget mod­ernist poetry in English. All but.

William Butler Yeats. 1933Ezra Pound. 1913

William Butler Yeats. 1933. Ezra Pound. 1913

 

T.S. Eliot. 1888

T.S. Eliot. 1888

So, the degrees link and lock and con­nect and con­fuse and the essence of all of this has to be that …

John Wayne, AKA, John T Chance, Cole Thornton (Sean Thornton in The Quiet Man), and Cord McNally … is the grand­fa­ther of Modern Poetry in English. He boldly rode to symbolism’s gate, between the sil­ver of the screen and the golden metaphor. Made The Exchange. Cast his lot with the com­mon peo­ple of the sun, and a woman or two of the moon. With Maureen O’Hara and Angie Dickenson. Athena and Aphrodite.

Which leaves me mys­ti­fied still. Walter Brennan is Hephaestus, Nestor or Homer?

 

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