Comments on: Vortex at Midnight http://www.spinozablue.com/2008/11/1106/ An Eclectic Journal of the Arts Tue, 07 Feb 2012 21:16:29 +0000 hourly 1 http://wordpress.org/?v=3.3.1 By: Cuchulain http://www.spinozablue.com/2008/11/1106/#comment-267 Cuchulain Fri, 28 Nov 2008 19:22:39 +0000 http://www.spinozablue.com/?p=1106#comment-267 Robert. Thanks. Thought-provoking commentary. Wasn't thinking about it consciously, but now that you mention it, Pound's faces at the Metro (among other poems) has echoes here . . . Again, appreciate your comments.<div class="comment-remix-meta"><a href="#" class="replyto" onclick="replyto('267','Cuchulain'); return false;">Reply</a> - <a href="#" class="quote" onclick="quote('267','Cuchulain','Robert. Thanks. Thought-provoking commentary. \r\n\r\nWasn\'t thinking about it consciously, but now that you mention it, Pound\'s faces at the Metro (among other poems) has echoes here . . . \r\n\r\nAgain, appreciate your comments.'); return false;">Quote</a></div> Robert. Thanks. Thought-provoking commentary.

Wasn’t thinking about it consciously, but now that you mention it, Pound’s faces at the Metro (among other poems) has echoes here …

Again, appreciate your comments.

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]]> By: Robert Mueller http://www.spinozablue.com/2008/11/1106/#comment-265 Robert Mueller Thu, 27 Nov 2008 09:32:35 +0000 http://www.spinozablue.com/?p=1106#comment-265 Juxtaposition with image from pictorial arts and then link with Anglo-Saxon poetic form and rhythm allows for delightful reader-response wanderings for a reader who, like myself, has read Anglo-Saxon poems like the relevant poems titled "The Seafarer" and "The Wanderer." Alternatively, consult Ezra Pound on same to explore further how the form Mr. Pinson chooses resonates. Pound's contributions to poetry play against pre-Raphaelite schemes but in so doing reflect and acknowledge them. In any event, there is chronological succession from the world of Van Gogh to the world of Pound, while Pound himself is propelled by the synchronous, encyclopaedic grasp of poetry, so that he "re"-makes it new, and so does Mr. Pinson you might say.<div class="comment-remix-meta"><a href="#" class="replyto" onclick="replyto('265','Robert Mueller'); return false;">Reply</a> - <a href="#" class="quote" onclick="quote('265','Robert Mueller','Juxtaposition with image from pictorial arts and then link with Anglo-Saxon poetic form and rhythm allows for delightful reader-response wanderings for a reader who, like myself, has read Anglo-Saxon poems like the relevant poems titled \"The Seafarer\" and \"The Wanderer.\" Alternatively, consult Ezra Pound on same to explore further how the form Mr. Pinson chooses resonates. Pound\'s contributions to poetry play against pre-Raphaelite schemes but in so doing reflect and acknowledge them. In any event, there is chronological succession from the world of Van Gogh to the world of Pound, while Pound himself is propelled by the synchronous, encyclopaedic grasp of poetry, so that he \"re\"-makes it new, and so does Mr. Pinson you might say.'); return false;">Quote</a></div> Juxtaposition with image from pictorial arts and then link with Anglo-Saxon poetic form and rhythm allows for delightful reader-response wanderings for a reader who, like myself, has read Anglo-Saxon poems like the relevant poems titled “The Seafarer” and “The Wanderer.” Alternatively, consult Ezra Pound on same to explore further how the form Mr. Pinson chooses resonates. Pound’s contributions to poetry play against pre-Raphaelite schemes but in so doing reflect and acknowledge them. In any event, there is chronological succession from the world of Van Gogh to the world of Pound, while Pound himself is propelled by the synchronous, encyclopaedic grasp of poetry, so that he “re”-makes it new, and so does Mr. Pinson you might say.
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