Muddy Waters

Muddy Waters

 

A con­flu­ence of fac­tors, almost like Delta streams, has me think­ing about the Delta Blues and Chicago Blues and the man who did the most to elec­trify them, Muddy Waters (1913 — 1983).

A new movie due out next week, Cadillac Records, tells the story of a truly rev­o­lu­tion­ary period in American music. Chess Records was piv­otal in bring­ing great Blues and R&B leg­ends like Etta James, Willie Dixon and Muddy Waters to a larger audi­ence, and is the sub­ject of the film. The broth­ers Chess — Leonard and Phil — rec­og­nized the com­mer­cial poten­tial for a wide array of musi­cal genius, and helped set the table for Rock N Roll. The new film stars Beyonce Knowles, Jeffrey Wright and Adrien Brody.

Beyonce Knowles (as Etta James) just rips the heart out of this song and plays it back to us, updated, tremendous:

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Cadillac Records

Retrospectives pro­voke us. Send us. Bring new rounds of reval­u­a­tions. They often cre­ate new pat­terns of influ­ence, new hier­ar­chies of debt and pay­back. Listening to a recent Fresh Air, a repeat inter­view with Robert Gordon (the author of a bio of Muddy Waters), I heard proof of the changes the man from Mississippi brought to American music. It was more than just another ret­ro­spec­tive. It was a chance to be moved, yet again, but some of the rawest and most direct music we have on tape.

The song Mannish Boy was first recorded in 1955, and pro­vided the name for a rather obscure band from England. The video is from 1970:

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Words just get in the way some­times, and then music says it all. And music in the hands of Muddy Waters cuts through lay­ers of sed­i­ment, cen­turies of stul­ti­fy­ing civ­i­liza­tion and pre­tense. The power of that music can melt hes­i­ta­tion and anx­i­ety, like snow under a new south­ern sun. He took Occam’s razor, elec­tri­fied it, plugged it in and applied it to 20th cen­tury America. Sometimes you just have to be a rolling stone.

 

 

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