House of the Rising Sun 45

House of the Rising Sun 45

Caught an archived addi­tion of On Point today. Fascinating. A dis­cus­sion of the roots of an American clas­sic, The House of the Rising Sun. Far more to it than I had pre­vi­ously ever thought about. And our old friend, Alan Lomax, plays a major part in the story. It wasn’t just The Animals involved. In fact, far from it. They just made the most famous ver­sion in 1964. But so many oth­ers cov­ered the tune and it orig­i­nated, most likely, in the Kentucky hills. Though it’s pos­si­ble that it goes back even fur­ther, well into the 18th cen­tury. At least part of the song.

Sung by men and women, the song takes on com­pletely dif­fer­ent mean­ing. With the for­mer, it sounds like a young man who has fallen into dis­so­lu­tion, and can’t escape from it. Perhaps he’s killed some­one, and has to go back to New Orleans to do jail time for that or for debts incurred while gam­bling. When a woman sings it (Alan Lomax first heard a woman do the song), it’s likely about pros­ti­tu­tion, with the House being her bor­dello, and the ball and chain being any­thing from servi­tude to dis­ease to jail time.

Dissolution, deca­dence, for those who believe in sin, sin. It’s so 1890s Europe in a sense, though it’s clas­si­cally American. Blue Jeans puts it there, per­haps more than any other part of the lyric. Locates the song. Locates the poverty and sor­row and long­ing for home and fam­ily. Longing for a way out though resigned to the facts that say oth­er­wise. Amazing that it all prob­a­bly started in Appalachia, but is about a return to New Orleans, which may be the least Appalachian of our cities. Sin, dis­so­lu­tion, deca­dence, and the feel­ing of being inex­orably drawn to one’s own demise might just be uni­ver­sal. Might just be a tem­plate we can all hum to. There is a house for that sort of thing.

 

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