Movie

Elsa Zylberstein and Kristin Scott Thomas in I’ve Loved you for so Long

I’ve Loved you for so Long is not a movie for every­one. As has been noted per­haps a bil­lion times, we live in a cul­ture with mount­ing pres­sure for quick pay­offs, and our atten­tion spans have shrunk. This bril­liant film takes its time. It builds up story ele­ments slowly, devel­ops its char­ac­ters and their rela­tion­ships with great care, nuance and sub­tlety, and never hits you over the head with mes­sages or sym­bols or histri­on­ics. It treats you like an adult. The sub­ject mat­ter could eas­ily call for end­less scene chew­ing and height­ened melo­drama, but the direc­tor, Phillippe Claudel (a nov­el­ist and pro­fes­sor of Literature at the University of Nancy), chooses a dif­fer­ent path.

Kristin Scott Thomas plays Juliette Fontaine, a woman with a tragic, ter­ri­ble secret, just released from prison. Her sis­ter Lea, played by Elsa Zylberstein, wel­comes her into her home to help her get back on her feet. Elsa is mar­ried to Luc (played by Serge Hazanavicius), and they have two adopted daugh­ters. Much of the film time is spent on the evo­lu­tion of Juliette’s place in that home and the renewal of the rela­tion­ship between the sis­ters. It is pro­foundly mov­ing in sev­eral sec­tions, and all the more effec­tive because the direc­tor lets the audi­ence piece things together. We learn about her 15 year stay in prison grad­u­ally, but we don’t dis­cover why she did what she did until the end of the film. This con­tributes to a deep-​​seeded dra­matic ten­sion and anx­i­ety through­out the movie. The direc­tor also chooses a very effec­tive method of expo­si­tion, ampli­fy­ing Juliette’s tragic expe­ri­ence through the life sto­ries of oth­ers, espe­cially her parole offi­cer and a col­league of Lea’s. By talk­ing about them­selves, we learn more about Juliette, whose silence speaks prover­bial volumes.

Kristin Scott Thomas’s per­for­mance is Oscar wor­thy. With few words and ges­tures, she is able to con­vey a sense of deeply authen­tic, actu­al­ized, repressed inner tur­moil, fear, rage and guilt. Weary courage as well. Her secret lifts her, sinks her, shakes her core, but dri­ves her on. Elsa Zylberstein, as Lea, exudes fragility, deter­mi­na­tion, and self­less love. She is Juliette’s rock, even though she is often con­fused about her older sister’s life and why the tragedy occurred. Their rela­tion­ship is the heart of the movie. Their dis­cov­er­ies drive it.

Below is the trailer for the film. While it gives some indi­ca­tion of gen­eral story lines, it can not pos­si­bly con­vey how the movie evolves over time. It can not begin to show what lies beneath the sur­face. Most of I’ve Loved you for so Long is below that surface.

 

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