Missy Higgins

Missy Higgin’s On a Clear Night. 2007

A pleas­ant dis­cov­ery for me a cou­ple of years ago, the music of Missy Higgins con­tin­ues to impress. I first heard her on my pandora.com account, and just picked up one of her CDs. Her warmth, intel­li­gence, and vul­ner­a­bil­ity flow with every song, and her beau­ti­ful vocals res­onate long after the song has worked its way into the night. I love her accent. I love that she never felt the need to hide her Aussie back­ground. It makes her seem defi­ant to me, a sweet rebel, which is strange in a sense. Because she’s just being her­self. My guess is that many in the biz told her not to sing with her own, nat­ural accent, but she didn’t lis­ten, and it makes her music better.

Missy Higgins writes her own music and lyrics, and has told inter­view­ers that she’d rather write songs than sing them, if she had to choose. She does both excep­tion­ally well. But her vocals are what hit me. Her breath­ing is nat­ural but fills her voice with just the right lift of air, com­ing from just the right part of her soul. Not every singer can do that or knows what that does for the song. She has told other inter­view­ers that she lis­tened to a lot of great Jazz singers in the past, like Billie Holiday and Ella Fitzgerald, and I’m guess­ing she dis­cov­ered that from them.

I hear sev­eral other singers touch­ing upon her sound. Though she is unique. Fiona Apple, Sara Bareilles and Brandi Carlile, espe­cially. Secrets used to be under­cover. Not so much any­more. Which is très cool.

Secret

 

 

 

 

 

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