Posted on: April 26, 2009
LABOR
by Jill Magi
Last fall I found myself at the gate of an archive. Remembering something from my labor and union past and thinking about my work life at present, I came across the on-line finding guides for the Wagner Labor Archive at New York University. The writings here are a warm-up to my trip into that archive. As of this spring, I’ve been inside, but that writing — is it poetry? — is slow to come along. For now, I’m using exposition to trace the outline of a shape I do not yet know.
November 4, 2008
On the day of an historical election, after weeks of hearing the word “socialism” used as a weapon (as they bail out…
[More...]
Posted on: November 25, 2008
Poetic Implications: Synchronicity and The Language of Meaning
A Personal Reflection by Sean Howard
Adjunct Professor of Political Science, Cape Breton University
November 2008
A few months ago, I began work on a project I’ve been putting off for over a year: an account of my time in the clutches of what Jungian analysts call the ‘puer aeternus’ complex, or neurosis; an inflated sense of the self as a precious, creative but foredoomed ‘eternal youth,’ destroyed, to quote Jung’s colleague Marie-Louise von Franz, by a chronic “unadaptedness,” which “frequently results in early death“[1] if not shaken off by the sufferer’s mid-twenties — the age, incidentally, I told myself as a teenager that I (like two of my heroes, Shelley and Keats) would die. After struggling through a long, difficult section on the central dilemma confronted (and shirked) in the complex — ‘how to truly be yourself,’ or ‘how to not be…
[More...]
Posted on: July 16, 2008
Rumormongers have hypocritically insinuated that I make use of cheap irony. Nothing could be further from the truth.
I employ only the finest quality of irony, procured at great expense, its like not to be had discounted. In fact, I do not entrust supply to outside provisioners, but participâté at every stage of manufacture, from the selection of raw material (unalloyed, never scrap) through its refinement — forged under sublime pressure, even tempered, under controlled heat, by a process of my own invention. Despite all due precaution, irony can become corrupted, so the results of all this effort may well never see the light of day. Only the most resilient irony, without discernable imperfection, is suitable to any proper craft.
Nor do I use it sparingly. To be effective, irony must be thickly applied, preferably in many layers, and meticulously worked in to its foundation so as to become integral to the final product. Those who speak…
[More...]
Posted on: April 2, 2008
The songs of both these artists are generally perceived as music to slash your wrists to, and playing either of their records at a party signals its certain death (or yours). To their intensely loyal cult following, in the privacy of their bedrooms, they sing to each alone. And by making their anxieties public, these artists are Saviors to brethren of solitaries. Both are literary types; one is a novelist and poet, while the other as a librarian’s son was steeped in literature since youth. Yet both are not great poets, by the admission of one and despite the protestations of the other. Still, when they wrap their yearning around their words and make them sing, they are achingly lyrical. With a kind of duende (dark creative force) for a muse, both are poets of aloneness and longing, disaffection and death. And both have been away, for several years. One retired to a monastery, where…
[More...]
