Posted on: May 25, 2012
I had thought to write a post, introducing a new character, the Prophet. Something utterly original, a new slant, a strange, effective beginning. But upon rereading the post, I could see that it was too obvious, too didactic, too contrived. And while Art is always “contrived” in a sense, it should never show that part of itself. It should never be obvious.
So, how to write a new series of “wisdom” literature? How to include a new kind of prophet, one who turns ancient texts upside down? Or, rather, turns Nietzsche upside down after he tortured the ancient texts this way and that. Turns Kafka upside down after he drove the Talmud meshugah. Turns Dogen upside down after he stretched and bundled and merged Indian Buddhism with Chinese Taoism.…