Posted on: May 15, 2012

- Carlos Fuentes, 1987
Carlos Fuentes passed away on May 15th, 2012, at the age of 83. He will be remembered by this avid reader for his novels The Old Gringo and The Death of Artemio Cruz, along with his wonderful short stories, especially those in Burnt Water. His non-fiction is also very strong (This I Believe & Myself With Others), and pairing it with Milan Kundera’s heightened the effect of both for me. Both men being advocates of the democratic voice in literature, with many of the same literary “precursors.”
Fuentes was one of the chief contributors and promoters of the Latin American “Boom,” along with José Donoso, Jorge Luis Borges, Gabriel García Márquez and Juan Rulfo, his fellow Mexican novelist.…
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Posted on: October 5, 2011
Centenary morning, to ya!!
A great, great author, full of wit and whimsy and a native Irish speaker, Flann O’Brien would be a hundred years young today, if he hadn’t met the fate of the Third Policeman.
From the Dalkey Archive’s author’s page, an except:

Flann O’Brien
Flann O’Brien, whose real name was Brian O’Nolan, also wrote under the pen name of Myles na Gopaleen. He was born in 1911 in County Tyrone. A resident of Dublin, he graduated from University College after a brilliant career as a student (editing a magazine called Blather) and joined the Civil Service, in which he eventually attained a senior position.
He wrote throughout his life, which ended in Dublin on April 1, 1966. His other novels include The Dalkey Archive, The Third Policeman, The Hard Life, and The Poor Mouth, all available from Dalkey Archive Press.
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Posted on: June 16, 2011
James Joyce, Sylvia Beach and Adrienne Monnier in Paris, 1920
It’s that time of the year again. Toast one or two or three for old Jimmy and Nora. Toast one or two or three for the streets of Dublin he saw with uncanny focus from Trieste. And toast one or two or three for Blind Homer, who inspired him and gave the world of fiction its great and everlasting journey.
As we, or mother Dana, weave and unweave our bodies, Stephen said, from day to day, their molecules shuttled to and fro, so does the artist weave and unweave his image.
Ch. 9: Scylla and Charybdis
I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
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