Posted on: April 13, 2012
Spinozablue welcomes the fine Haiku of Virginie Colline, and the poetic works of Dan Corjescu and Neil Ellmann.
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As long as we are alive, nothing is complete. We define this or that aspect of art, music, religion, life itself, and we kill it. In some way, small to great. Yes, poetry can lift art; art poetry. But neither can define or limit or stifle the other. There is always more. Much more. And the best critics know this. The most attentive, aware, tuned-in admirers of all the arts know this.
Nothing is written in stone, literally and metaphorically. The stone does not last. It crumbles and becomes something else. The metaphors are a bridge to another place and time, another way of seeing.…
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Posted on: August 20, 2008
I am not a reader of graphic novels and know next to nothing about them. But I heard good things about this movie version of one such series (Persepolis and Persepolis2, by Marjane Satrapi) and thought it would be worth a look. More than a pleasant surprise, the film actually knocked me out.

Persepolis movie trailor
It’s the largely autobiographical story of Marjane Satrapi, her time in Iran before and after the revolution of 1979, her family, and her flight to France. I did not think that a cartoon would be moving in this way, nor as thought provoking. But it is. The DVD adds excellent special features, takes us behind the scenes and includes interviews with cast and crew. The work involved in making the film is stunning, laborious, time consuming and admirable.…
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Posted on: July 21, 2008

Pramoedya Ananta Toer
It’s not often that a great writer’s life is more interesting in some ways than his books. But that’s the case with Pramoedya Ananta Toer. Born on the island of Java in 1925, Toer lived through several revolutions and national rebellions, participated in a few himself, and was imprisoned both by the Dutch colonial government and then later by the Suharto régime.
While in jail during his first imprisonment in 1947 – 49, he wrote his first novel, The Fugitive. During his second imprisonment, this time by the Suharto régime in 1965, he accomplished something even more amazing. Denied pen and paper, he managed to construct a tetralogy, recite it to his fellow prisoners, and eventually get it down on paper and published after his release in 1979.…
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