Posted on: February 1, 2012
Van Gogh’s Wheatfield With Crows. 1890
Forty Illusions Before Midnight
Birds never fly away
Fish never swim away
The sun never sets
We are idiots of ego
The only revolutions
That matter are the violent ones
The ones that force us to cast off
Me mine me mine
The only revolutions that matter
Are those that reveal
All is relative
All is contingent and evanescent
Like the leaf that falls because
She says so
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Posted on: June 16, 2010

Sunflowers. By Vincent Van Gogh. 1888
Nothing was as it seemed, when Van Gogh painted it. Roiling underneath the subject, flying above it, surrounding it, were his passions, his intensity, his flights into realms most of us could only guess at, if we can match him for moral imagination, or imagination period. With Van Gogh, a rose was not a rose was not a rose.
Ray Succre writes poetry along these same lines, or conjunctions, or coincidences, with a mask or two thrown in for good measure. Surreal, meant to be heard, meant to be spoken, they sing the uncanny.
Spinozablue presents two of his poems below.
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In honor of Bloomsday, I wanted to point you in the direction of a fine little essay about the people, real people, and their descendants, who found their way into Joyce’s Ulysses.…
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Posted on: April 20, 2010

The Chair, by Vincent Van Gogh. 1888
Norman Mailer wrote, in the pages of Dissent back in 1959, about the difference between 19th century capitalism and the 20th century version, provoking much thought. Basically, in the 19th century, a worker would toil in hardship, for little pay, but when he went home, capitalism didn’t follow him there. His own industry didn’t follow him. He wasn’t besieged on all sides by marketing and advertisements pushing him to fill his home with scads of fads and endless consumer goods. He could leave capitalism behind for the most part when he left his job each day.
The root of capitalist exploitation has shifted from the proletariat-at-work to the mass-at-leisure who now may lose as much as four or five ideal hours of extra leisure a day.
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